The lens has no physical controls other than the focus and zoom rings, which are pleasant to turn. -->, . border-color: #cccccc; When the sun is in the image, (plan on it if it's noticeable in the viewfinder, but don't do this because your subject will be out of focus. These settings lead to soft and blurry corners that are also heavily darkened due to vignetting. } The FE 24-70mm f/2.8 GM is expensive, but every penny is justified given its superb optics. The Sony 16-55mm f/2.8 finally gives speeds that felt similar to what we would expect from full frame Sony E-Mount lenses, and is much faster than any previously available options. There’s no image stabilization, but newer Sony full-frame camera bodies make this a non-issue. While it’s a step lower than that of most wide-angle zoom lenses, it also reduces the number of required glass elements and the lens’s overall weight. On the outside, there is the standard Sony matte black finish, with a rubber grip area around the bottom of the barrel. If you had a crop equivalent 16-35mm, they’ll produce the same photos on the same a6000 body. World-class sharpness for a standard prime. When focused close, the lens extends out 2mm, and is shortest at infinity. google_ad_width = 728; $998 @ BH | AMZ. It is compact, lightweight, and ideal for a wide range of subjects. The zoom ring has clear white markings for several focal lengths. , , ,